For example, you can sharpen an area of fine detail (like hair) in your image for emphasis without applying that to your subject’s skin.ĭo you have any other tips for processing black and white images in Photoshop? If so, please share them with us in the comments. It’s important to note that the concept of local adjustments applies to a lot more than tonality and you can use them for any type of adjustment you can think of in Photoshop. By taking full control of the tonality of your black and white images, you will be able to create images with plenty of impact and fine-tuned contrast. With these tools, you should see that you have a lot of options when it comes to processing black and white photos after the conversion process. Combine this tool with Layer Masks, and you have a solution that will get you through most situations.Īlongside other retouching tools, using these tools (on their own or in concert with one another) can give you a great deal of fine control over your black and white images. The powerful Curves adjustment layer is another Photoshop staple that you should learn inside out early on.īy manipulating the curve in the dialogue box, you will gain absolute control over every minute aspect of contrast and tonal range in your image. Do this with all three (whites, neutrals, blacks) for every part of your image, and you will have a great deal of control over the tonality of your images with very little effort.Īs a bonus, if you’re still getting to grips with Layer Masks, the fact that the Selective Color tool adjust the highlights, mid-tones and Shadows independently within the dialogue box, means that you have a bit of local control over those three tonal ranges without having to use a layer mask at all. Dragging it to the left will lighten them. Dragging this slider to the right will darken the relevant tones. With any of those three options selected, find the slider labeled ‘Black’ at the bottom of the dialogue box. This doesn’t give the amount of control that other methods do, but it’s quick and intuitive. Just move the Black slider in the relevant box. With the Selective Color tool, you have a fair degree of control over your highlights, mid-tones, and shadows. (Because this article is discussing black and white images, you can discard all of the color options for now.) Once you’ve created the layer, all that you have to do is find the drop-down box and choose either: whites, neutrals or blacks. ![]() The Selective Color adjustment layer is, probably, the easiest of these tools to get to grips with. Now that you have a few options for selecting and isolating the various parts and tones of your images, there is a large selection of tools that you can use to manipulate the tonality (and other aspects) of your images. Consider deleting them before you save your images. One word of warning though: leaving the Luminosity masks in your files results in very large file sizes. With this amount of control, you can fine-tune every part of your image to your heart’s content. They allow you independent control over the brightest of highlights, the darkest of shadows and everything in between. In brief, Luminosity masks grant you the ability to create layer masks for every tonal range in your image. With all of these options to easily select specific tonal ranges, you should be able to see how powerful this is. I made the selection here with the ‘Light Lights’ mask. This is an example of what Luminosity Masks might look like when setting up in your images. If you’re not already familiar with how to use this powerful yet intrinsic aspect of Photoshop, I strongly encourage you to spend some time reading up on and practicing using them as soon as possible.Ī layer mask effectively blocks an adjustment layer (masks it) from affecting parts of the image that you don’t want it to. Layer masks are probably the easiest and most common way to get started with local adjustments in Photoshop. Remember, this is an introduction to the various tools that you can use and not a full tutorial. By learning how to use several of these options, you will arm yourself with a variety of ways to use local adjustments while processing black and white images. ![]() The right tool for the job depends entirely on the job at hand. ![]() There are a lot of ways to apply local adjustments to your images in Photoshop. How do you go about increasing the contrast of a shirt while reducing contrast on the skin at the same time? Through the use of local adjustments. More often than not, you will want to reduce it. As a general guide, you usually don’t want to increase contrast on skin. For example, if you want to increase the contrast of the shirt by a large amount to help bring out the texture, then you will also be increasing the contrast of the subject’s skin.
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